Opinion Post by Chukwuma Ndioguluo:

Omoni Oboli, a talented movie producer from Edo State, recently released a film titled “Love In Every Word, which attempts to portray the romantic dynamics of an Igbo man. However, the movie falls short of accurately representing Igbo culture and the traditional values of an Igbo man, particularly the concept of an *Odogwu* (a respected, wealthy, and influential man in Igbo society).

In the movie, the Igbo male lead, played by Uzor Arukwe, closes his bank account to win the heart of a woman he loves. This portrayal is not only inaccurate but also a misrepresentation of how an *Odogwu* from Igboland approaches love and relationships. In Igbo culture, an *Odogwu* is a man of substance, wisdom, and pride. He does not diminish himself or his wealth to win a woman’s affection. Instead, he often disguises his true status, presenting himself as a modest individual—perhaps a single shop owner in Onitsha Main Market—while secretly owning multiple businesses.

The intention behind this approach is to test the woman’s character and ensure she is not motivated by his wealth. An *Odogwu* seeks an *Odozi Aku*—a woman who is wise, resourceful, and capable of managing his wealth and household. Only when she proves her genuine love and loyalty does he reveal his true status and introduce her to his family as the woman he intends to marry. This is the Igbo way, and it reflects the depth of cultural values that prioritize character over materialism.

It is disappointing to see how Omoni Oboli imported a Benin man’s lifestyle into a movie that was supposed to showcase Igbo culture. The portrayal of the Igbo man in *Love In Every Word* is far from the reality of how an *Odogwu* loves and respects his woman. The only plausible explanation for this misrepresentation is that the character is an Igbo man who has lived outside Igboland for too long and has been influenced by the cultures of his host community.

Another glaring inaccuracy in the movie is the use of the term *“Onye Nwem”* (meaning “the one who owns me”) by the male lead to address his love interest. This is a complete distortion of Igbo cultural norms. In Igbo tradition, *“Onye Nwem”* is a term of endearment used by a wife to address her husband, not the other way around. It signifies the man’s role as the head of the household and the woman’s respect and submission to him. When a wife calls her husband *“Onye Nwem”* and shows him respect, he is compelled to love her genuinely and entrust her with the management of his wealth, earning her the title *“Ori Aku”* (the one who enjoys his wealth).

The fact that Uzor Arukwe, an Igbo actor, addressed Bambam, a Yoruba actress, as *“Onye Nwem”* in the movie is a clear indication that Omoni Oboli knew exactly what she was doing. If Bambam were an Igbo actress, I believe she would have rejected such a term, no matter how sweet it sounded, because it goes against the cultural norms passed down by our foremothers.

Omoni Oboli may have had good intentions with *Love In Every Word*, but the execution missed the mark. The movie fails to tell the true story of how Igbo men love their women and instead presents a distorted version of Igbo culture. I hope that an Igbo movie producer will one day rewrite and reproduce this story, showcasing the authentic and dignified way an *Odogwu* from Igboland loves and respects his woman.

Igbo culture is rich, profound, and deeply rooted in values that deserve accurate representation in Nollywood. Let us tell our stories the right way, preserving the integrity of our traditions for future generations.

#ChukwumaNdioguluOfficial
#Chucappella
#OmoniOboli
#BamBam
#UzorArukwe
#NollywoodMovies
#MovieReview
#IgboCulture
#Odogwu
#OdoziAku
#OriAku

 

In a generous act of philanthropy, Stanley Ugbo Okeke, in collaboration with the Lord Zeus Foundation, has donated musical equipment, a Toyota Sienna car, and a cash reward of  millions of  Naira to Theresa Oforji, popularly known as Nwanyi Umuoji, a celebrated musician from Idemili Local Government Area in Anambra State. This initiative is part of the foundation’s ongoing commitment to uplifting the Igbo community in Southeast Nigeria through financial support, education, and health outreach programs.

At the presentation ceremony, the founder of the Lord Zeus Foundation, known as Lord Zeus, highlighted the significance of patience and resilience. He acknowledged Theresa Oforji’s contributions to the music industry during a time when there were few financial gains for artists. “Today, with the support of Stanley Ugbo Okeke, we are proud to present her with this cash reward, new musical equipment, and a Toyota Sienna car to aid her in logistics,” Lord Zeus stated.

Lord Zeus expressed gratitude for the continued support from his partners and remained optimistic about future endeavors. “When I say it can only get better, believe me, it will get better. I am glad to announce that Queen Theresa Oforji is now a verified and certified car owner, along with a cash reward of one million Naira.”

He also extended heartfelt thanks to Stanley Ugbo Okeke, CEO of DPD Investment Limited, acknowledging him as “Ekwueme 101” for his generosity. “I pray that God will replenish you and grant you all the desires of your heart according to His will,” he added. Citing a biblical verse, Isaiah 60:12, he concluded, “When the time is right, I, the Lord, will make it happen. It can only get better.”

The Lord Zeus Foundation continues to make impactful interventions in the Southeast, supporting communities and individuals through various initiatives that foster hope, empowerment, and a brighter future.

 

 

Anthony Emeka Nwosu

 

 

 

Tribalism, a deep-seated allegiance to one’s ethnic group, is a significant challenge in Nigeria, a country with over 250 ethnic groups. While cultural diversity should be a source of national pride and strength, tribalism has instead become a divisive force, perpetuating conflict, discrimination, and underdevelopment. This phenomenon has infiltrated various facets of society, including politics, education, employment, and even social interactions, creating a significant hindrance to Nigeria’s progress.

Negative Impacts of Tribalism in Nigeria

1. Political Instability and Division:

Tribalism often leads to a lack of national cohesion and unity, as people prioritize ethnic loyalty over national interest. This creates a toxic political climate where leaders are selected based on tribal affiliations rather than merit or capability. As a result, governance becomes more about advancing ethnic interests than fostering national development. Political appointments and elections are often skewed to favor certain tribes, resulting in widespread discontent, voter apathy, and, at times, violent clashes.

2. Social Fragmentation and Discrimination:

Tribalism fosters division among Nigerians, breeding mistrust, prejudice, and hostility between different ethnic groups. It creates a “them versus us” mentality that erodes social cohesion and unity. This division is evident in various social settings where people align themselves with their ethnic group, resulting in discrimination in employment, education, and business opportunities. Such practices prevent national integration and deter the creation of a unified Nigerian identity.

3. Economic Inequality and Underdevelopment:

Tribalism contributes to economic inequality and underdevelopment. Resources, including government contracts and employment opportunities, are often allocated based on tribal affiliations rather than merit or need. This practice discourages investment in regions perceived to be politically irrelevant, creating a cycle of poverty and underdevelopment in those areas. Tribalism also stifles innovation and growth, as businesses may not thrive due to bias or exclusionary practices.

4. Threats to National Security:

Tribalism poses a threat to national security by fueling ethnic conflicts and insurgencies. Nigeria has witnessed several tribal-based clashes, including the tragic Biafra War, which claimed millions of lives. More recently, communal clashes over land, religion, and political power have resulted in loss of lives and displacement of communities. Tribalism weakens the fabric of society, making it difficult to build a united front against external threats like terrorism and organized crime.

5. Obstructing Meritocracy and Progress:

When tribalism dictates decisions in key sectors, it undermines meritocracy. Positions of leadership, educational placements, and job opportunities are often given to individuals based on ethnic identity rather than qualifications or competence. This practice limits the nation’s ability to harness the talents and skills of its diverse population, thereby stifling innovation, creativity, and progress.
Why Tribalism Must Be Stopped

To ensure sustainable growth, unity, and development, Nigeria must confront and eliminate the scourge of tribalism. Ending tribalism means fostering a sense of national identity that transcends ethnic differences. This can be achieved through the promotion of inclusivity, equality, and justice. It is essential for the government, civil society, religious leaders, and citizens to advocate for policies and practices that discourage tribalism and instead promote meritocracy, fairness, and national unity.

Nigeria’s strength lies in its diversity. When tribalism is eradicated, the country can leverage this diversity to drive social, economic, and political advancement. A united Nigeria, free from the shackles of tribalism, has the potential to become a prosperous and peaceful nation where every citizen, regardless of ethnic background, has an equal opportunity to thrive.

By embracing inclusivity and unity, Nigeria can build a future where its diversity is celebrated and used as a force for collective progress. Ending tribalism is not just a necessity but a moral imperative for the survival and success of the nation.

 

 

Anthony Emeka Nwosu

 

Julie, my late sister, had since relocated to her father’s house, our house, as she had adjudged her late husband’s home not very accommodating. She took her children along. Around 3pm on the 3rd of June 2024, my sister died in the loving arms of her only daughter in my family house right before MaryRose, her younger sister. Even though his abroad based first son and I were promptly informed, it was still the duty of Obiora, our eldest brother to direct on what next to do with her body. Catechist Obiora, after conferring with me, his only brother, decided to take our sister’s corpse to the mortuary. My late sister’s son was asked to inform his father’s relatives that their wife had died.

In line with Nnewi culture, Ezeumunna family of Abụbọ Nnewichi, our in-laws, had to send a delegation with drinks and kola nuts to my sister’s father’s house to inform us that their wife had died even though they knew that she died in her father’s house. That visit was an opportunity to hold our in-laws accountable and ask questions on how they treated our daughter and demand for appeasement failing which we would sideline them in her burial and funeral plans. Of course, we could proceed to bury our sister as we deem appropriate and also perform her funeral ceremonies in her father’s house. Yes, we could do that because she belongs to us, her relatives both in life and in death. She was only on a marriage journey to her husband’s home.The leasehold regarded as marriage has ended and the ownership of my eldest sister would have to revert to her father’s kinsmen.

The point to stress here is that the bride price paid to marry an Nnewi woman is just a lease payment which tenor ends whenever the woman dies or is divorced. Once the woman is dead, the husband’s people must return the corpse to her father’s home for burial or exchange the corpse with the woman’s very important household possession called ngịga which is a woven basket with a small orifice. It is inside the ngịga, which is usually hung to a long rope dripping from kitchen roof and is about three feet away from the fire place, that a married woman stores all her cooking condiments which need the heat from the cooking fire to be preserved.

Invention of stoves, gas cookers and modernity have conspired to withdraw the use of ngịga. The dead woman’s life picture portrait is now being used in exchange for her corpse. That is after the husband’s people must have provided some other material requirements with prescribed entertainment.

In the memory of a peaceful man that married my late sister, my brother and I decided not to activate any trouble buttons but to be civil and respectful to the delegation of Ezeumunna family, our in-laws. They knew what we are capable of doing being that my extended Ezeoguine family are the rulers of Nnewi. Nnewi is a town which headship has been hereditary.

Dates were agreed for the funeral rites of my late sister without hassles as we decided to regard whatever that cried in the night of her marriage journey as mosquitoes.

Ndị Nnewi have longed moved forward more than Idoma people who still insist that a wife must be returned to her father’s house for burial. They do this up till date. I learnt that many communities in Edo State still do it.

Even with three grown children, Julie my late sister was referred to as Nwaọkpụ Ọkpụnyo Otolo as she never belonged to her husband’s family but her children do. My sister has always been the property of the Ezenwegbu Ezeoguine royal family as she was deemed to be on a marriage pilgrimage to her husband’s house. Upon death, her mission has been accomplished and she must be returned home.

According to Nnewi modernity induced amended tradition, before my sister is buried, her body must first be brought to her father’s house for a brief lying-in-state before it is taken to her husband’s home for the continuation of the funeral ceremonies. Any Nnewi girl married outside Nnewi could lose opportunity of this rite if her husband’s town is far. So, you can now understand some of the reasons why Nnewi parents prefer Nnewi husbands for their daughters.

After the brief stopover at her father’s compound, the corpse is then escorted to her husband’s home for continuation of funeral rites. But once the corpse is buried, all the dead woman’s father’s relatives will depart for the dead woman’s father’s compound to conduct their own funeral ceremonies, receiving and entertaining their guests. For instance, all my friends, my wife’s people will pay their condolence to me and my family in my father’s house. Clearly put, a married woman’s funeral ceremonies take place in her husband’s house and her father’s house simultaneously.

The funeral ceremony in the woman’s father’s home would be paused by early evening to enable the father’s family visit their daughter’s family home to perform the ibu ozu nwa ada ceremony. The father of the deceased or the person acting as his father would stay back while the funeral delegation is led by the next in line. In my sister’s case, Catechist Obiora will stay behind while yours sincerely or any other relative will lead my kinsmen to my sister’s husband’s house.

On arrival, the funeral party will approach the condolence table with drinks and clothes after which they would be ushered into a place prepared for them for entertainment which is then followed by the ibu ozu nwa ada rites.

Until my family goes to take either her body, ngịga or picture home and performs separation rituals which is now conducted in a pseudo-christian way, her spirit would not allow her husband’s people rest.

The actual ritual by which a dead woman’s spirit is taken back to her father’s home is called “Ibu ozu nwa ada” in Nnewi. In the case of Julie, my late sister, it has been agreed to happen on the 19th July 2024, in the evening of the day she will be buried. Once we arrive her husband’s house to perform this ritual, all forms of condolences ends as the husband’s family is expected to provide the final marital settlement thereafter, we take the spirit of our sister back to her father’s place where she belongs.

Ikenga Ezenwegbu
13 July 2024

In a fascinating glimpse into the cultural practices of the Igbo people, it has been revealed that same-sex marriage, particularly between two women, is not only permitted but also deeply ingrained in certain traditions. This cultural phenomenon sheds light on the intricate ways in which societal norms intersect with familial obligations and lineage continuity.

In this specific form of marriage, an older widow who has passed menopause takes a younger woman of reproductive age as her spouse. The primary motivation behind such unions is the desire to ensure the continuation of the late husband’s lineage by bearing sons. Prior to entering into this arrangement, the older woman informs the umunna, the traditional council of elders, about her decision, signifying the gravity of her sacrifice.

The umunna, recognizing the significance of this gesture, extends their support and accompanies the widow in seeking the younger woman’s hand in marriage. Once the union is formalized, the widow assumes the role of husband, symbolized by the payment of the bride price, thereby cementing her status within the community.

It is noteworthy that widows often prefer to marry women who have previously borne children, particularly sons, outside of wedlock, as fatherhood in Igbo culture is validated solely through the payment of bride price. Following the marriage, the elderly widow receives special honor and recognition among men, solidifying her esteemed position within the community.

In certain regions of Igbo land, women in such unions are prohibited from engaging in extramarital affairs and are expected to abstain from male companionship for the remainder of their lives. Furthermore, it is imperative to clarify that these marriages are non-sexual in nature, as homosexuality is considered an abomination within Igbo culture.

Interestingly, the younger spouse retains the freedom to engage with men outside of the marriage, and any children born from such encounters are recognized as legitimate heirs to the widow’s late husband, carrying his name forward through generations. This unique cultural practice has played a vital role in preserving and ensuring the continuity of diverse lineages within Igbo society.

For further insights into Igbo cultural traditions, visit Igbo History.TV.

  • In a poignant and heartfelt ceremony, the late Princess Christiana Odiri was laid to rest in her hometown, Benin City, after meticulous preparations for her farewell. Passing away at the venerable age of 92 after a brief illness, her life and legacy were celebrated during a solemn yet uplifting burial ceremony.

Mama, as affectionately known by all, was commemorated by a massive crowd that gathered to bid her farewell. Pastor  Idahosa, her devoted son and chief mourner, paid tribute, acknowledging her as a stalwart pillar not only within their family but within the broader society. He remarked, “Mama’s impact extended far and wide, touching countless lives evident from the multitude gathered here today.”

Hailing from a Royal lineage, Mama embodied the spirit of altruism, offering support and hospitality to individuals regardless of their tribal, cultural, or religious backgrounds. Her absence leaves a void felt by all who knew her, emphasized Pastor Idahosa, acknowledging the inevitability of her departure and her return to her maker.

The funeral saw notable figures in attendance, including Rabiu Musa Kwankwaso, former Presidential aspirant, standing in solidarity with Pastor Idahosa, and the President of the Christian Association Of Nigeria, Okpella, Edo State, who commissioned a building in loving memory of Mama, highlighting her enduring impact.

Addressing the gathering, Rev Philemon Marcus underscored the commemoration as a tribute to Mama’s life, affirming that death signifies a transition to another realm and acknowledging her fulfillment of purpose.

Archbishop Osa Ani reflected on the natural order of life, emphasizing the significance of children fulfilling the responsibility of burying their parents. Isaac Idahosa and his siblings, Evangelist Grace Jacob, Anna Omoya, and Isaac Idahosa, expressed their deep sense of loss while vowing to perpetuate their late mother’s virtues and legacy.

The family, friends, and well-wishers bid a heartfelt adieu to Princess Christiana Odiri, a woman whose life epitomized love, compassion, and selflessness. Her memory will continue to resonate in the hearts of all who were touched by her grace.

 

Varieties are the spices of life as we say. That period of family get-togethers is here again. The time to show off your wife’s culinary skills to your friends and family has arrived.

Don’t let your woman cook potti and serve unsuspecting innocent people. That won’t be
nice. With this spice you have a food that is on point and this will put your wife’s cooking in a top notch scale.

Get Bella Spices and flours for that special tongue licking, lips smacking unforgettable meal everyone will talk about and look forward to having in the coming years.

Gain the respect and admiration of the people you love; for yourself and your woman. Shop
Zella Spices.I have cooked with the stew and soup spices, and I have testimonies.

Avoid sodium glutamate in your meals. Zella is made free of chemicals and artificial
sweeteners, only natural ingredients.

They deliver anywhere in the world.

Ada Obi

 

 

Ten years from now, some Ladies you know will be like Chimamanda ,Okonjo Iweala and Awele Elumelu. Famous,celebrated and renowned.While some others will be like Maheeda, Cossy Orjiakor and Mia kalifa. Dissed , disgraced and disowned.You are young now and your body is tight…we know.

But why are you acting like it’s only the things on your chest and between your legs that can give you relevance.I saw a comment on Awele’s wall….were someone went “it’s her body and she lives in the western world,that how they do there”.

This is some one who hasn’t crossed the pacific.In case you are not aware, the western world is just like every other world… they have the aristocrats, the nobility,and the PLEBEIANS.

You will never come upon an Aristocrat carrying on in a trashy manner, or sharing nudes for clout and fame. That behavior is reserved for the plebeians , the low lives, the trailer park trash- in every society.

Come back to Nigeria…as wild as DJ cuppy seems to be, you will never see her revel in nudity and trashiness-because she is from nobility. She is UPPER CLASS. I can bet she has visited and lived in every continent of the world…but her respect and carriage is as intact as a descendant of the King of England. Show me any upper class Nigerian woman who goes about celebrating her nudes?

NONE.

NEVER.

They are all busy working to get a foot into the corridors of power where the owners of Nigeria belong. In 20 years…everyone that is above 20 right now will be above 40… Do you want to be an example people show their kids to prevent them from ending up a disgrace or do you want to be celebrated as a standard woman worldwide?

Today, Cossy Orjiakor and her likes can not stand up where great women are standing.Heck, she can’t even be invited to the same functions with them. And her famous breasts are no longer young so the lecherous men who made her popular have all moved on.

While the women no one heard about way back then because they were underground working with their brains and their hands are now the movers and shakers, walking in and out of the World bank, and the Oval Office ,meeting with world leaders who pay rapt attention to the words that come out from their lips.

When women like Chimamanda Adichie or Okonjo Iweala stand before men…it’s in the greatest offices of the world…imparting knowledge and making powerful impressions…when women like Cossy Orjiakor are mentioned, it’s all beer parlor talk about body parts and body fluids.

I am not your mother. I am not here to advice you. I just want to remind you that every action you are taking now is leading you to the place you will be in 20 years time.

Don’t end up in a dingy place watching the women you knew as young girls, take over the world stage, while all you can boast of are some really really hot dancing nudes on the internet.

But if that’s where you want to be…Who am I to tell you otherwise ☺️☺️☺️

Welcome to wonderful Thursday!!

 

 

Evarist wrote

 

Culled from the Facebook of
Chidiebere Onyemaizu

 

The Minister of Information and Culture, Alhaji Lai Mohammed, has commended the United States for the repatriation to Nigeria of 23 Benin Bronzes, part of the thousands of artifacts that were looted by the British during their invasion of Benin Kingdom in 1897.

The Minister gave the commendation at the Benin Bronzes’ repatriation ceremony in Washington, DC, on Tuesday

”Please permit me, on behalf of the government and people of Nigeria, to most sincerely thank the United States and her major cultural heritage institutions for the return of these highly-cherished Benin Bronzes to Nigeria – which is the reason we are here today,” he said.

”These artifacts are intrinsic to the culture that produced them. A people ought not be denied the works of their forebears. It is in the light of this that we are delighted with today’s repatriation of the Benin Bronzes,” Alhaji Mohammed said.

He thanked the Boards of Trustees of the Smithsonian National Museum of African Art, the National Gallery of Art and the Rhode Island School of Design for engaging in the discussions with Nigeria’s National Commission for Museums and Monuments that led to the repatriation of the artifacts.

The Minister disclosed that Nigeria will soon launch an international traveling exhibition with the artifacts being repatriated ”in a manner that will win more friends and promote greater goodwill for Nigeria and the ethnic groups that produced the artifacts”.

He said the release of the Benin Bronzes found in the US was a testament to the success of the
Campaign For The Return and Restitution of Nigeria’s Looted/Smuggled Artifacts from around the world, which was launched in November 2019.

”We have also received or are in the process of receiving repatriated artifacts from The Netherlands, the University of Aberdeen in Scotland, Mexico, the University of Cambridge in the United Kingdom and Germany, among others,” Alhaji Mohammed said.

He recalled that Nigeria and the US have signed a bilateral cultural property agreement to prevent illicit import into the United States of some categories of Nigerian artifacts.

”This agreement solidifies our shared commitment to combat looting and trafficking of precious cultural property, while also establishing a process for the return of trafficked cultural objects, thus reducing the incentive to loot sites in Nigeria,” the Minister said.

In his remarks, Lonnie G. Bunch III, Secretary of the Smithsonian, said the Institution was “humbled and honored to play a small role in transferring ownership of the art works to Nigeria”, adding that ethical consideration should be at the heart of what Smithsonian as an institution does.

The returned artifacts comprise 21 from the Smithsonian and one each from the National Gallery of Arts and the Rhode Island School of Design.

Also at the ceremony were the Director-General of Nigeria’s National Commission for Museums and Monument, Prof. Abba Tijani; Prince Aghatise Erediauwa, Representative of the Oba of Benin; Ngaire Blankenberg, Director of the US National Museum for African Art (NMAfA) and Kaywin Feldman, Director, US National Gallery of Art (NGA).

When we say money rituals DO NOT work – human body parts do not and can never magically vomit money for anyone or make you successful; it has no basis in reality; there is no evidence that it works and anyone who remotely believes in such baseless myth is not only irredeemably stùpiď but also a danger to people around them – we are not only trying to debunk a dangerous myth, we are also trying to keep the society sane and safe.

We can see the toll it is having on us. There is hardly a day you will check the news and won’t see stories of people beheading their fellow humans for money rituals. People are murdered everyday for nothing, human body parts are trafficked and ladies’ underwears are snatched at gunpoint. Rationality is sacrificed and absurdities take over. Superstition is dangerous to the general wellbeing of the society.

The idea that human body parts can magically make a person wealthy can only be believed by a degenerated brain.

It is this same insane superstition that motivates some young ladies to take pictures of men to some religious jamboree with the aim of ‘spiritually’ manipulating them into marriage.

Money ritual starts from the mind. Anyone who really believes it works is a potential ritualist and a danger to the society, because the first step to murdering people and using their body parts for rituals is to believe it works.

There is an urgent need to dispel this dangerous myth. It is a hoax that has taken the lives of innocent people.

Written by Steve Chike Abia