Renowned sculptor Sunday Chukwu has achieved a remarkable feat by creating the world’s largest masquerade sculpture, a towering tribute to cultural heritage that is soon to become a landmark at the Obiago roundabout. Known for his fusion of art and functionality, Chukwu has made a name for himself with his unique metallic gates that blend aesthetic appeal with everyday utility. However, his latest creation, the “Ijele” masquerade sculpture, transcends even his previous works, standing as a testament to his dedication to cultural awareness and pride.
Chukwu’s goal extends beyond mere artistry; he envisions his work as a vehicle for social change and historical reawakening. With the placement of the Ijele at such a prominent public location, he aims to inspire individuals to rediscover and embrace the cultural richness of the Igbo people, which, he believes, has been overshadowed by the tides of westernization and colonial influence. By encouraging a return to these roots, Chukwu hopes to ignite a sense of pride in the Igbo’s pre-colonial civilization and rekindle respect for the ancestral values that shaped it.
The Ijele sculpture is adorned with intricate Uli and Nsibidi symbols, traditional Igbo motifs that represent prosperity, fertility, and harmonious living. These symbols, deeply rooted in the Igbo worldview, invite viewers to reconnect with timeless ideals that once held central significance in Igbo society.
“This is more than art; it’s my own kind of political statement,” Chukwu says, explaining that he intends for the sculpture to be a catalyst for storytelling. Through his work, he hopes to tell the world about the Igbo’s unique history, traditions, and worldview—stories that he feels must not be lost to time.
– Iheoma-Joakin Uzomba, Chukwumeremeze
